An interpretation of my work
I rarely took a “set” of pictures because I believe if a story, an idea, or a concept couldn’t be communicated by just one still picture then it doesn’t matter if it is a set of 10 or a set of 100 pictures, it’s not enough to communicate a story, an idea or a concept. Nevertheless, it was not until I was cleaning up and re-arranging my work back at home in the US, I realized that these four pictures took in Beijing’s Hu-Tong (alley) could not only be viewed separately and individually but also could be communicated in a sense of a set.
I have to emphasize that I wasn’t intended to create a “set” of these four pictures while I was taking them. As the matter of fact, I couldn’t. I do not stage my work. Out of thousands if not tens of thousands pictures I took through out my life, there is no single picture staged. Of course, these don’t including pictures took as studio shots or staged drama pictures.
The first day I went back to Beijing’s Ba-Da Hu-Tong, “Big Eight Alley”, with my photo equipment after I discovered them accidently, I spent nearly 4 hours wondering around and creating my work. Just when the time was getting late, the light was fading, I was tired and on my way to find a way out of those hu-tongs, I saw this old lady doddering by. I was actually too tired to re-unpack my bag and pull my camera out so I kept walking. However, in less than 10 seconds I told myself if I skip and do not take these shots now, I would regret through the next day or may be the day after the next. I stopped, re-unpacked, pulled out my camera, turned around and ran over to catch up with the old lady. Right at the moment, the old lady was coming to a “S” shaped hu-tong and on her way to a turning point. It was exactly what I was looking and hoping for. To me, it symbolizes she has been gone through most of her life: it doesn’t matter if whatever she had been gone through was a smooth or a winding road, now it is a turning point at her life. Kept that idea flowing in my mind, I didn’t have much time for anything else but pull up my camera, aim and shoot. I barely had enough time for only one shot then I followed her. After the turn there was a stretch of hu-tong ahead of her and another idea flowed into my mind: this symbolizes that after most of her life, the winding road, there is still days and life coming ahead of her. I took another shot. Only at this moment, I realized there was a young girl coming face-to-face toward her. I couldn’t be more excited and had to contain myself. This is another great opportunity to take a picture representing and symbolizing old-versus-young, past-versus-future, vivid-versus-dull. I tuned down one stop on my shutter speed because I was hoping the lowered down shutter speed could make an action more stand out. I waited, which was merely few seconds, till both of them coming into a close to idea position and took the shot. While I was reviewing the picture, I was extremely happy that the girl was a bit blurred because of her motion. This even increases the contrast between a slow, old lady and an active, young girl. I couldn’t be more happier with the result considering the picture was taking in a very hurry and the decision was made in a split second. Once the girl left the scene, I thought that was it, it was the end of the day. Nonetheless, I saw the old lady was coming into a turn and facing straight at a wall, on top of that, there was an old and beaten three wheel cart lying against on the other side but old and decaying wall. That is another excellent scene to emphasize still object vs. live in motion, slow motion. Moreover, the position of them were lined up diagonally and perfectly which also created a visual guideline matched the flow of the hu-tong. Without thinking twice, I clicked the shutter release and made the day.
| Hu-Tong_Nov07_064.jpg | Hu-Tong_Nov07_065.jpg |
I, personally, believe these 4 pictures could be viewed separately and individually because when I took every and each one of them, there was a different and independent idea, emotion and thought flowing through my mind. Nevertheless, they could also be viewed as a set of pictures and the theme could just be an old lady going through this old hu-tong symbolizes what she had been gone through and what’s her facing at has yet to coming into her life: confronting hardship by sorting out the “S” shape hu-tong, recalling and reflecting her youthfulness from the young girl passing her by, a still object, old three-wheel cart, projecting her slowness and stiffness and, finally, she came up to a wall symbolizes that her hardship was not over and she would have to keep struggling for the remaining of her life till the day of triumph.
We, as human beings, were born who we are, what we are and where we are: most of the time, we do not have a choice and, most of the time, we felt limited, confined, and even suffocated. It’s more or less like the old woman who was limited and confined in the “S” shape hu-tong (alley). She might be born in the hu-tong and walked all her life in the the hu-tong. Nevertheless, she has a choice whether to struggle through the hu-tong even with two sticks and doddering 5 seconds a pace, or simply gave up, sitting in a rocking chair wait for her final time to come. We Chinese has a saying “Sky motioning constantly, man must strive persistently for self-improvement. “ We struggle, we fight, we endeavor ourselves to get by, to survive, to make a mark for ourselves, for mankind. Our surroundings are not that much different than the narrowed, confined, and “S” shaped hu-tong, even our minds are narrowed, confined and shaped like a “S” hu-tong through most of our lives. One step, one foot print: we step through our lives just like the doddering old woman facing the capering young girl and the capering young girl passed her by just like our youth passed us by. It doesn’t matter who we are, what we are or where we are, as long as we are human beings, we struggle, externally and internally, and that is living. While there is constant struggling, there is hope and hope composes our lives.
| Hu-Tong_Nov07_066.jpg | Hu-Tong_Nov07_067.jpg |
More often than not, I was accused or named as a photographer who knows only how to take “pretty” pictures or simply categorized as a photographer who knows only “estheticism”. Normally when this happens, I would smile and say nothing. My philosophy is what one could see or interpret a piece of art work usually reflecting personal opinion and point of view. Yes, I do not deny that many of my pictures were taken purely because of “beauty”. However, most of my creations contain not only “beauty” but also a theme, an idea, a concept behind them. Take most of pictures I created at Huanglong, Yellow Dragon, year 2006 as an example. They are beautiful, undeniable. However, most of them have lines flowing in their frames or a visual guideline viewers could follow in their forms. These lines were not picked accidently nor without a reason. These lines were intended, chosen carefully, designed to locate precisely where they are while the shutter release was clicked and released. If one looks closely and carefully enough, these lines always verge to either a center point or up to infinity. That, to me, is symbolizing there is always a purpose in life, there is always a point of living, and there is always an upward struggling as long as we are remaining as human beings. The line may be crooked and winding which perfectly symbolized no one’s life is smooth without surprises.
What or how I, as a photographer, interpret a piece of my work is the relationship between me and my work which doesn’t matter to my audiences and that is exactly why I did not say anything while I was accused simply as a photographer who knows only how to take “pretty” pictures or a mere “estheticism”. Audiences need to build, communicate, and cultivate their own relationship between themselves and a piece of art work because we are human and human are diversified, we are simply all different. What I see in a view and capture it, doesn’t mean anyone would see the same thing as I do. We came from different societies, we have different backgrounds, we were educated in all different ways. If one could see only beauty out from a piece of art work, then why not, why not let it be? If one could see things or meaning beyond what I could see in a piece of my own work, that is also fine because this person truly sees what he or she could see based upon his or her own life experiences and thoughts. If I dictate how an audience to view my work, then I am no more than a copy machine trying to merely duplicate my ideas into someone else’s mind. That is exactly opposite of the concept of art. Besides, who am I to dictate someone else’s thought and/or mind?
Of course, one may as well saying “so, it’s an old, on her way to death woman walking on two sticks through a decaying, messy and narrow alley, what’s so magic about it? Why does it even worth a shot?” If that’s all one could see, so be it. My job is to create a piece of art work based upon my feeling, my way of viewing things and objects and reflecting what’s inside of me. As what is reflecting inside other peoples’ mind, that is absolutely out of my scope.
I hope you all enjoy these images. Happy New Year and wish everyone has a triumphant 2008 yet to come!!!




































